{"id":7540,"date":"2026-02-23T14:06:26","date_gmt":"2026-02-23T14:06:26","guid":{"rendered":"https:\/\/www.e-imusica.com\/?p=7540"},"modified":"2026-03-31T15:01:55","modified_gmt":"2026-03-31T15:01:55","slug":"il-pomo-doro-deslumbra-en-barcelona-oviedo-y-madrid-con-su-giulio-cesare","status":"publish","type":"post","link":"http:\/\/www.e-imusica.com\/en\/il-pomo-doro-deslumbra-en-barcelona-oviedo-y-madrid-con-su-giulio-cesare\/","title":{"rendered":"Barcelona, Oviedo y Madrid celebran el paso de Il Pomo d\u2019Oro con su interpretaci\u00f3n de Giulio Cesare"},"content":{"rendered":"[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.24.3″ _module_preset=\u00bbdefault\u00bb da_disable_devices=\u00bboff|off|off\u00bb global_colors_info=\u00bb{}\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb 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\u00a9Toni Bofill <\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.24.3″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text disabled_on=\u00bbon|on|off\u00bb admin_label=\u00bbfondo\u00bb _builder_version=\u00bb4.24.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#bcbcbc\u00bb positioning=\u00bbabsolute\u00bb z_index=\u00bb-115″ width=\u00bb108%\u00bb height=\u00bb100%\u00bb custom_margin=\u00bb|||-60px|false|false\u00bb custom_padding=\u00bb20px|||125px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb15px\u00bb text_line_height=\u00bb1.3em\u00bb link_font=\u00bb|600||||on|||\u00bb link_text_align=\u00bbcenter\u00bb link_text_color=\u00bb#E02B20″ link_font_size=\u00bb17px\u00bb link_letter_spacing=\u00bb0.5px\u00bb link_line_height=\u00bb1.1em\u00bb header_3_font=\u00bb||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#3f0000″ header_3_line_height=\u00bb1.1em\u00bb header_5_font=\u00bb|700|||||||\u00bb header_5_text_align=\u00bbright\u00bb header_5_text_color=\u00bb#f7f7f7″ header_5_font_size=\u00bb14px\u00bb custom_margin=\u00bb10px||10px|-40px|true|false\u00bb custom_margin_tablet=\u00bb|||0px|true|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb14px|40px|14px|15px|true|false\u00bb custom_padding_tablet=\u00bb20px|25px|20px|25px|true|true\u00bb custom_padding_phone=\u00bb\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb hover_transition_duration=\u00bb550ms\u00bb hover_enabled=\u00bb0″ background_color_tablet=\u00bb#bcbcbc\u00bb background_color_phone=\u00bb#bcbcbc\u00bb background_last_edited=\u00bbon|phone\u00bb background_enable_color_tablet=\u00bbon\u00bb background_enable_color_phone=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb link_letter_spacing__hover_enabled=\u00bbon|hover\u00bb link_letter_spacing__hover=\u00bb1px\u00bb link_line_height__hover_enabled=\u00bbon|hover\u00bb link_line_height__hover=\u00bb1.7em\u00bb link_font_size__hover_enabled=\u00bbon|desktop\u00bb link_font_size__hover=\u00bb18px\u00bb sticky_enabled=\u00bb0″]

Cornelia in Egitto<\/h3>\n

Magn\u00edfica toda la parte instrumental a manos del ensemble Il Pomo de Oro y la direcci\u00f3n de Francesco Corti . A unas cuerdas de sonoridad excelentemente empastada y articulaci\u00f3n precisa hasta el mil\u00edmetro hay que a\u00f1adir unos vientos afinad\u00edsimos y sin lugar a dudas durante la larga velada. […] \n\nCorti consigui\u00f3 una direcci\u00f3n fluida y vibrante, sin perder la claridad de muchos de los pasajes contrapunt\u00edsticos de la partitura, al tiempo que acompa\u00f1\u00f3 con gran delicadeza las intervenciones de los distintos solistas.<\/p>\n

\u00a0N\u00daVOL | Dani Cort\u00e9s Gil | 17\/02\/2026<\/h5>\n

\u00a0… leer noticia completa<\/a><\/p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb15px\u00bb text_line_height=\u00bb1.3em\u00bb link_font=\u00bb|600||||on|||\u00bb link_text_align=\u00bbcenter\u00bb link_text_color=\u00bb#E02B20″ link_font_size=\u00bb17px\u00bb link_letter_spacing=\u00bb0.5px\u00bb link_line_height=\u00bb1.1em\u00bb header_3_font=\u00bb||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#3f0000″ header_3_line_height=\u00bb1.1em\u00bb header_5_font=\u00bb|700|||||||\u00bb header_5_text_align=\u00bbright\u00bb header_5_text_color=\u00bb#f7f7f7″ header_5_font_size=\u00bb14px\u00bb custom_margin=\u00bb10px||10px|-40px|true|false\u00bb custom_margin_tablet=\u00bb|||0px|true|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb14px|40px|14px|15px|true|false\u00bb custom_padding_tablet=\u00bb20px|25px|20px|25px|true|true\u00bb custom_padding_phone=\u00bb\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb hover_transition_duration=\u00bb550ms\u00bb hover_enabled=\u00bb0″ background_color_tablet=\u00bb#bcbcbc\u00bb background_color_phone=\u00bb#bcbcbc\u00bb background_last_edited=\u00bbon|phone\u00bb background_enable_color_tablet=\u00bbon\u00bb background_enable_color_phone=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb link_letter_spacing__hover_enabled=\u00bbon|hover\u00bb link_letter_spacing__hover=\u00bb1px\u00bb link_line_height__hover_enabled=\u00bbon|hover\u00bb link_line_height__hover=\u00bb1.7em\u00bb link_font_size__hover_enabled=\u00bbon|desktop\u00bb link_font_size__hover=\u00bb18px\u00bb sticky_enabled=\u00bb0″]

‘Giulio Cesare’ en el Auditorio, ‘veni, vidi, vici’<\/h3>\n

La direcci\u00f3n musical de Francesco Corti al frente de Il Pomo d\u2019Oro fue determinante en el \u00e9xito de la interpretaci\u00f3n. El conjunto, especializado en repertorio historicista, mostr\u00f3 una articulaci\u00f3n precisa, contrastes din\u00e1micos bien calibrados y una t\u00edmbrica equilibrada entre cuerdas y vientos. La atenci\u00f3n constante al acompa\u00f1amiento de los solistas permiti\u00f3 una interacci\u00f3n fluida y org\u00e1nica, esencial en una obra \u2014y en un repertorio\u2014 donde la flexibilidad r\u00edtmica y el di\u00e1logo continuo entre solistas y orquesta resultan fundamentales.<\/p>\n

\u00a0OPERA ACTUAL | Jonathan Mallada | 19\/02\/2026<\/h5>\n

\u00a0… leer noticia completa<\/a><\/p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb15px\u00bb text_line_height=\u00bb1.3em\u00bb link_font=\u00bb|600||||on|||\u00bb link_text_align=\u00bbcenter\u00bb link_text_color=\u00bb#E02B20″ link_font_size=\u00bb17px\u00bb link_letter_spacing=\u00bb0.5px\u00bb link_line_height=\u00bb1.1em\u00bb header_3_font=\u00bb||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#3f0000″ header_3_line_height=\u00bb1.1em\u00bb header_5_font=\u00bb|700|||||||\u00bb header_5_text_align=\u00bbright\u00bb header_5_text_color=\u00bb#f7f7f7″ header_5_font_size=\u00bb14px\u00bb custom_margin=\u00bb10px||10px|-40px|true|false\u00bb custom_margin_tablet=\u00bb|||0px|true|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb14px|40px|14px|15px|true|false\u00bb custom_padding_tablet=\u00bb20px|25px|20px|25px|true|true\u00bb custom_padding_phone=\u00bb\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb hover_transition_duration=\u00bb550ms\u00bb hover_enabled=\u00bb0″ background_color_tablet=\u00bb#bcbcbc\u00bb background_color_phone=\u00bb#bcbcbc\u00bb background_last_edited=\u00bbon|phone\u00bb background_enable_color_tablet=\u00bbon\u00bb background_enable_color_phone=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb link_letter_spacing__hover_enabled=\u00bbon|hover\u00bb link_letter_spacing__hover=\u00bb1px\u00bb link_line_height__hover_enabled=\u00bbon|hover\u00bb link_line_height__hover=\u00bb1.7em\u00bb link_font_size__hover_enabled=\u00bbon|desktop\u00bb link_font_size__hover=\u00bb18px\u00bb sticky_enabled=\u00bb0″]

Sabine Devieilhe y Jakub J\u00f3zef Orlinski protagonizan ‘Giulio Cesare’ de H\u00e4ndel en el Teatro Real, en version de concierto<\/h3>\n

La orquesta Il Pomo d\u2019Oro, dirigida por Francesco Corti. Ofreci\u00f3 una interpretaci\u00f3n hist\u00f3ricamente informada llena de vida y energ\u00eda. Desde la obertura, la m\u00fasica pareci\u00f3 elevar al p\u00fablico y a los cantantes con ritmos danzantes y nervio contagioso. Se pudo percibir claramente el trabajo concienzudo del equipo en una obra que domina: una flexibilidad en los tiempos delicada y apropiada, siempre al servicio del matiz para el lucimiento vocal.<\/p>\n

\u00a0PLATEA MAGAZINE | Juan Jos\u00e9 Freijo | 20\/02\/2026<\/h5>\n

\u00a0… leer noticia completa<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]","protected":false},"excerpt":{"rendered":"

\u00a9Toni Bofill Cornelia in Egitto Magn\u00edfica toda la parte instrumental a manos del ensemble Il Pomo de Oro y la direcci\u00f3n de Francesco Corti . A unas cuerdas de sonoridad excelentemente empastada y articulaci\u00f3n precisa hasta el mil\u00edmetro hay que a\u00f1adir unos vientos afinad\u00edsimos y sin lugar a dudas durante la larga velada. […] Corti […]<\/p>","protected":false},"author":8,"featured_media":7541,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","two_page_speed":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nBarcelona, Oviedo y Madrid celebran el paso de Il Pomo d\u2019Oro con su interpretaci\u00f3n de Giulio Cesare - imusica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.e-imusica.com\/en\/il-pomo-doro-deslumbra-en-barcelona-oviedo-y-madrid-con-su-giulio-cesare\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Barcelona, Oviedo y Madrid celebran el paso de Il Pomo d\u2019Oro con su interpretaci\u00f3n de Giulio Cesare - imusica\" \/>\n<meta property=\"og:description\" content=\"\u00a9Toni Bofill Cornelia in Egitto Magn\u00edfica toda la parte instrumental a manos del ensemble Il Pomo de Oro y la direcci\u00f3n de Francesco Corti . 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