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\u00a9Javier del Real<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.24.3″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb15px\u00bb text_line_height=\u00bb1.3em\u00bb link_font=\u00bb|600||||on|||\u00bb link_text_align=\u00bbcenter\u00bb link_text_color=\u00bb#E02B20″ link_font_size=\u00bb17px\u00bb link_letter_spacing=\u00bb0.5px\u00bb link_line_height=\u00bb1.1em\u00bb header_3_font=\u00bb||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#3f0000″ header_3_line_height=\u00bb1.1em\u00bb header_5_font=\u00bb|700|||||||\u00bb header_5_text_align=\u00bbright\u00bb header_5_text_color=\u00bb#f7f7f7″ header_5_font_size=\u00bb14px\u00bb custom_margin=\u00bb10px||10px|-40px|true|false\u00bb custom_margin_tablet=\u00bb|||0px|true|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb15px|40px|15px|15px|true|false\u00bb custom_padding_tablet=\u00bb20px|25px|20px|25px|true|true\u00bb custom_padding_phone=\u00bb\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb hover_transition_duration=\u00bb550ms\u00bb background_color_tablet=\u00bb#bcbcbc\u00bb background_color_phone=\u00bb#bcbcbc\u00bb background_last_edited=\u00bbon|phone\u00bb background_enable_color_tablet=\u00bbon\u00bb background_enable_color_phone=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb link_letter_spacing__hover_enabled=\u00bbon|hover\u00bb link_letter_spacing__hover=\u00bb1px\u00bb link_line_height__hover_enabled=\u00bbon|hover\u00bb link_line_height__hover=\u00bb1.7em\u00bb link_font_size__hover_enabled=\u00bbon|desktop\u00bb link_font_size__hover=\u00bb18px\u00bb]<\/p>\n
[…] La direcci\u00f3n art\u00edstica de Demb\u00e9l\u00e9, en complicidad con Cl\u00e9ment Cogitore, convierte los tableaux de Rameau en un fresco contempor\u00e1neo, un lienzo donde lo barroco y lo urbano se abrazan. Aqu\u00ed no hay exotismo academicista, sino una mirada poscolonial y queer que reivindica la pluralidad. […]<\/p>\n
Al frente, Leonardo Garc\u00eda-Alarc\u00f3n, el alquimista del sonido, el demiurgo de la batuta que dirige la Cappella Mediterranea e insufla vida a la partitura de Rameau. Su direcci\u00f3n es un prodigio de equilibrio: respeta la filigrana barroca, sus arabescos mel\u00f3dicos, sus ritmos que laten con la urgencia de un coraz\u00f3n enamorado, pero tambi\u00e9n los dota de una energ\u00eda que resuena con la calle, con el asfalto, con cristales rotos y pavimentos sucios. Garc\u00eda-Alarc\u00f3n no solo dirige: conversa con Demb\u00e9l\u00e9, con los bailarines, con el p\u00fablico. […]<\/p>\n
\u00a0… leer noticia completa<\/a><\/p>\n [\/et_pb_text][et_pb_text disabled_on=\u00bbon|on|off\u00bb admin_label=\u00bbfondo\u00bb _builder_version=\u00bb4.24.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#bcbcbc\u00bb positioning=\u00bbabsolute\u00bb z_index=\u00bb-115″ width=\u00bb108%\u00bb height=\u00bb100%\u00bb custom_margin=\u00bb|||-60px|false|false\u00bb custom_padding=\u00bb20px|||125px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb15px\u00bb text_line_height=\u00bb1.3em\u00bb link_font=\u00bb|600||||on|||\u00bb link_text_align=\u00bbcenter\u00bb link_text_color=\u00bb#E02B20″ link_font_size=\u00bb17px\u00bb link_letter_spacing=\u00bb0.5px\u00bb link_line_height=\u00bb1.1em\u00bb header_3_font=\u00bb||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#3f0000″ header_3_line_height=\u00bb1.1em\u00bb header_5_font=\u00bb|700|||||||\u00bb header_5_text_align=\u00bbright\u00bb header_5_text_color=\u00bb#f7f7f7″ header_5_font_size=\u00bb14px\u00bb custom_margin=\u00bb10px||10px|-40px|true|false\u00bb custom_margin_tablet=\u00bb|||0px|true|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb15px|40px|15px|15px|true|false\u00bb custom_padding_tablet=\u00bb20px|25px|20px|25px|true|true\u00bb custom_padding_phone=\u00bb\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb hover_transition_duration=\u00bb550ms\u00bb background_color_tablet=\u00bb#bcbcbc\u00bb background_color_phone=\u00bb#bcbcbc\u00bb background_last_edited=\u00bbon|phone\u00bb background_enable_color_tablet=\u00bbon\u00bb background_enable_color_phone=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb link_letter_spacing__hover_enabled=\u00bbon|hover\u00bb link_letter_spacing__hover=\u00bb1px\u00bb link_line_height__hover_enabled=\u00bbon|hover\u00bb link_line_height__hover=\u00bb1.7em\u00bb link_font_size__hover_enabled=\u00bbon|desktop\u00bb link_font_size__hover=\u00bb18px\u00bb]<\/p>\n El director musical argentino, Leonardo Garc\u00eda Alarc\u00f3n, elev\u00f3 el list\u00f3n musical para reivindicar una m\u00fasica que puede dejar ojipl\u00e1tico al mel\u00f3mano menos versado […]<\/p>\n Con su conjunto Cappella Mediterranea, y un reducido grupo de cuatro magn\u00edficos cantantes solistas que se repartieron los diecisiete roles que contiene esta extraordinaria \u00f3pera, Alarc\u00f3n traz\u00f3 un a direcci\u00f3n musical de primer nivel. Viveza, contrastes, llena de energ\u00eda, donde la pulsaci\u00f3n barroca se transform\u00f3 en un ritmo musical y dram\u00e1tico como un torbellino que galvaniz\u00f3 un equipo musical de primer nivel.<\/p>\n \u00a0… leer noticia completa<\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb15px\u00bb text_line_height=\u00bb1.3em\u00bb link_font=\u00bb|600||||on|||\u00bb link_text_align=\u00bbcenter\u00bb link_text_color=\u00bb#E02B20″ link_font_size=\u00bb17px\u00bb link_letter_spacing=\u00bb0.5px\u00bb link_line_height=\u00bb1.1em\u00bb header_3_font=\u00bb||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#3f0000″ header_3_line_height=\u00bb1.1em\u00bb header_5_font=\u00bb|700|||||||\u00bb header_5_text_align=\u00bbright\u00bb header_5_text_color=\u00bb#f7f7f7″ header_5_font_size=\u00bb14px\u00bb custom_margin=\u00bb10px||10px|-40px|true|false\u00bb custom_margin_tablet=\u00bb|||0px|true|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb15px|40px|15px|15px|true|false\u00bb custom_padding_tablet=\u00bb20px|25px|20px|25px|true|true\u00bb custom_padding_phone=\u00bb\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb hover_transition_duration=\u00bb550ms\u00bb background_color_tablet=\u00bb#bcbcbc\u00bb background_color_phone=\u00bb#bcbcbc\u00bb background_last_edited=\u00bbon|phone\u00bb background_enable_color_tablet=\u00bbon\u00bb background_enable_color_phone=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb link_letter_spacing__hover_enabled=\u00bbon|hover\u00bb link_letter_spacing__hover=\u00bb1px\u00bb link_line_height__hover_enabled=\u00bbon|hover\u00bb link_line_height__hover=\u00bb1.7em\u00bb link_font_size__hover_enabled=\u00bbon|desktop\u00bb link_font_size__hover=\u00bb18px\u00bb]<\/p>\n La direcci\u00f3n musical fue el alma del espect\u00e1culo. Leonardo Garc\u00eda-Alarc\u00f3n, director argentino […] volvi\u00f3 a demostrar por qu\u00e9 es uno de los grandes especialistas del repertorio barroco actual. Al frente de su conjunto Cappella Mediterranea, construy\u00f3 una lectura vibrante, rica en colores, atenta al detalle y con un sentido del ritmo infalible.<\/p>\n La orquesta son\u00f3 con una mezcla deliciosa de elegancia francesa y pasi\u00f3n latinoamericana. Los contrastes din\u00e1micos, los acentos teatrales, el fraseo danzante y los juegos entre las maderas y las cuerdas estuvieron siempre al servicio del drama. […]<\/p>\n \u00a0… leer noticia completa<\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb15px\u00bb text_line_height=\u00bb1.3em\u00bb link_font=\u00bb|600||||on|||\u00bb link_text_align=\u00bbcenter\u00bb link_text_color=\u00bb#E02B20″ link_font_size=\u00bb17px\u00bb link_letter_spacing=\u00bb0.5px\u00bb link_line_height=\u00bb1.1em\u00bb header_3_font=\u00bb||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#3f0000″ header_3_line_height=\u00bb1.1em\u00bb header_5_font=\u00bb|700|||||||\u00bb header_5_text_align=\u00bbright\u00bb header_5_text_color=\u00bb#f7f7f7″ header_5_font_size=\u00bb14px\u00bb custom_margin=\u00bb10px||10px|-40px|true|false\u00bb custom_margin_tablet=\u00bb|||0px|true|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb15px|40px|15px|15px|true|false\u00bb custom_padding_tablet=\u00bb20px|25px|20px|25px|true|true\u00bb custom_padding_phone=\u00bb\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb hover_transition_duration=\u00bb550ms\u00bb background_color_tablet=\u00bb#bcbcbc\u00bb background_color_phone=\u00bb#bcbcbc\u00bb background_last_edited=\u00bbon|phone\u00bb background_enable_color_tablet=\u00bbon\u00bb background_enable_color_phone=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb link_letter_spacing__hover_enabled=\u00bbon|hover\u00bb link_letter_spacing__hover=\u00bb1px\u00bb link_line_height__hover_enabled=\u00bbon|hover\u00bb link_line_height__hover=\u00bb1.7em\u00bb link_font_size__hover_enabled=\u00bbon|desktop\u00bb link_font_size__hover=\u00bb18px\u00bb]<\/p>\n \u00a0el pa\u00eds<\/a><\/p>\nLeonardo Garc\u00eda-Alarc\u00f3n y Bintou Demb\u00e9l\u00e9 presentan ‘Las indias galantes’ de Rameau en el Teatro Real <\/h3>\n
\u00a0PLATEA MAGAZINE | Jordi Maddaleno | 01\/06\/2025<\/h5>\n
La m\u00fasica salva de nuevo el \u201cStar Wars\u201d barroco en el Teatro Real<\/h3>\n
\u00a0MADRID ACTUAL | Preslava Boneva | 02\/06\/2025<\/h5>\n
Otros titulares<\/h3>\n